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This article aims to discuss the reinvention of territories of peripheral childhoods and youths based on photographs and poems produced by photographer (to be identified if the article is accepted, as it acts as a participant in the writing of the article) and poet (to be identified if the article is accepted, as it acts as a participant in the writing of the article) as a way of re-existing in Fortaleza. These are problematizations arising from the realization of an inter(in)vention research of cartographic ethos, with these young people, in which images and poems emerge as playful devices in the production of counter-hegemonic movements against the “official images” historically imposed on the peripheries. Through these photographs and poems, and, therefore, through art, the claim of territories portrays and narrates childhoods and youths on the outskirts of Fortaleza from their strengths and not from their precariousness. As an experiment, the article was produced from these poems and photographs, in addition to counting on the participation of (to be identified if the article is accepted, as it acts as a participant in the writing of the article) and (to be identified if the article is accepted, as it acts as a participant in the writing of the article) in the elaboration of the text as a decolonial movement (dis)inhabiting academic writing.
Este artigo tem como objetivo discutir a reinvenção de territórios das infâncias e juventudes periféricas a partir de fotografias e poemas produzidos pelo fotógrafo Leo Silva e pelo poeta Talles Azigon (identificados após a aprovação do artigo) como modo de re-existência em Fortaleza. São problematizações advindas da realização de uma pesquisa-inter(in)venção de ethos cartográfico, junto a esses jovens, em que as imagens e os poemas emergem como dispositivos lúdicos na produção de movimentos contra-hegemônicos frente às “imagens oficiais” historicamente impostas sobre as periferias. Por meio dessas fotografias e poemas, e, portanto, da arte, a reivindicação dos territórios retrata e narra infâncias e juventudes de periferias de Fortaleza a partir de suas potências e não de suas precarizações. Como experimentação, o artigo foi produzido a partir desses poemas e fotografias, além de contar com as participações de (a ser identificado, caso o artigo seja aceito, pois atua como participante da escrita do artigo) e (a ser identificado, caso o artigo seja aceito, pois atua como participante da escrita do artigo) na elaboração do texto como um movimento decolonial de (des)habitar a escrita acadêmica.
This article aims to discuss the reinvention of territories of peripheral childhoods and youths based on photographs and poems produced by photographer Leo Silva and poet Talles Azigon (identified after acceptance of the article) as a way of re-existing in Fortaleza. These are problematizations arising from the realization of an inter(in)vention research of cartographic ethos, with these young people, in which images and poems emerge as playful devices in the production of counter-hegemonic movements against the “official images” historically imposed on the peripheries. Through these photographs and poems, and, therefore, through art, the claim of territories portrays and narrates childhoods and youths on the outskirts of Fortaleza from their strengths and not from their precariousness. As an experiment, the article was produced from these poems and photographs, in addition to counting on the participation of (to be identified if the article is accepted, as it acts as a participant in the writing of the article) and (to be identified if the article is accepted, as it acts as a participant in the writing of the article) in the elaboration of the text as a decolonial movement (dis)inhabiting academic writing.
